articleTop 10% cited
Photographic tone reproduction for digital images
ACM Transactions on Graphics · 2002 · Vol. 21(3) · pp. 267–276
Erik Reinhard✉(University of Utah)Michael Stark(University of Utah)Peter Shirley(University of Utah)James A. Ferwerda(Cornell University)
Abstract
A classic photographic task is the mapping of the potentially high dynamic range of real world luminances to the low dynamic range of the photographic print. This tone reproduction problem is also faced by computer graphics practitioners who map digital images to a low dynamic range print or screen. The work presented in this paper leverages the time-tested techniques of photographic practice to develop a new tone reproduction operator. In particular, we use and extend the techniques developed by Ansel Adams to deal with digital images. The resulting algorithm is simple and produces good results for a wide variety of images.
Image Enhancement TechniquesColor Science and ApplicationsAdvanced Vision and ImagingTone mappingComputer scienceComputer graphics (images)High-dynamic-range imagingHigh dynamic rangeComputer visionComputer graphicsTone (literature)Digital photographyGraphics
Citations
973
FWCI
11.21
field-weighted impact
References
40
Percentile
99%
vs. same field & year
Citations per year
Cited by
Edge-preserving decompositions for multi-scale tone and detail manipulation
ACM Transactions on Graphics · 2008 · 1,447 citations
Interactive digital photomontage
ACM Transactions on Graphics · 2004 · 834 citations
References
A multiresolution spline with application to image mosaics
ACM Transactions on Graphics · 1983 · 1,099 citations
Citation Network
How this paper connects to the literature. Drag to explore, click any node to open that paper.
