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Interactive digital photomontage

ACM Transactions on Graphics · 2004 · Vol. 23(3) · pp. 294–302
Aseem AgarwalaMira DontchevaManeesh AgrawalaSteven M. DruckerAlex ColburnBrian CurlessDavid SalesinMichael Cohen

Abstract

We describe an interactive, computer-assisted framework for combining parts of a set of photographs into a single composite picture, a process we call "digital photomontage." Our framework makes use of two techniques primarily: graph-cut optimization, to choose good seams within the constituent images so that they can be combined as seamlessly as possible; and gradient-domain fusion, a process based on Poisson equations, to further reduce any remaining visible artifacts in the composite. Also central to the framework is a suite of interactive tools that allow the user to specify a variety of high-level image objectives, either globally across the image, or locally through a painting-style interface. Image objectives are applied independently at each pixel location and generally involve a function of the pixel values (such as "maximum contrast") drawn from that same location in the set of source images. Typically, a user applies a series of image objectives iteratively in order to create a finished composite. The power of this framework lies in its generality; we show how it can be used for a wide variety of applications, including "selective composites" (for instance, group photos in which everyone looks their best), relighting, extended depth of field, panoramic stitching, clean-plate production, stroboscopic visualization of movement, and time-lapse mosaics.

Advanced Vision and ImagingAdvanced Image and Video Retrieval TechniquesImage Enhancement TechniquesImage stitchingComputer scienceCompositingComputer graphics (images)Image editingComputer visionPixelVisualizationSuiteArtificial intelligence
Citations
834
FWCI
36.35
field-weighted impact
References
36
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100%
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